Stunning performance! I was speechless by the end of PNB's beautiful repertoire. This season's Director's Choice included Jerome Robbin's Dances At A Gathering, Christopher Weeldon's After The Rain Pas de Deux and George Balanchine's Symphony in C. Superbe! It was a beautiful evening to end my two years of going to the ballet due to a generous friend. This evening truly touched the emotions that make us human.
Jerome Robbins is probably my favorite classic choreographer because his pieces are always so much fun to watch and illustrate accurate portrayals of human relationships. Dances at a Gathering is set to the solo piano works by Frederic Chopin, my favorite composer, and is an hour long suite for ten dancers. I like that Robbins dreams up stories to Chopin, that's what I do when I play the piano!
The most surprising piece and the most mesmerizing was After the Rain Pas de Deux. An announcement before the curtain said that the usual dancers (Carla Korbes and Bathurel Bold) would be replaced by James Moore and Rachel Foster. A general sigh of disappointment escaped from the audiences lips and were we all wrong. The music was simple, a violinist and pianist, playing the nuances of rain while two people told the story of their evolving relationship and emotions through dance. It was simply breathtaking and after the last note was played...I was speechless and really moved. It reminded Ari and I a bit of pas de deux from last year called The Kiss.
Symphony in C was a classic Balanchine performance set to the music of Georges Bizet. Aesthetically it was really sharp and beautiful because of all these dancers in crisp white tutus and the men in midnight blue. Technically stunning.
An excerpt description from the program:
"Make more," Balanchine said when Jerome Robbins first showed him Dances at a Gathering. A major PNB acquisition, Dances has been praised as "essential Robbins, an effortless evocation of community…just music and dance create a world of sunlight and open air." (The New York Times). Christopher Wheeldon's After the Rain pas de deux rendered audiences breathless at its premiere and was described as "Spare and poignant, the duet intimates a renewal of faith, the reburgeoning of love." (The Village Voice). With Symphony in C, balance, harmony and the satisfying order of classical ballet goes on virtuoso display as Balanchine's full-company pageant of technical prowess.
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